Borat Margaret Sagdiyev [a] is a satirical fictional character created and performed by Sacha Baron Cohen. Borat's humour arises from his espousal of outrageous sociocultural viewpoints, his violation of social taboos, and his use of vulgar language and behaviour in inappropriate settings. Most often the comedy relies on Borat's obliviousness to First World natives not sharing his regressive worldview, but occasionally Borat's innocent and collegial demeanor will provoke his targets to reveal biases they would otherwise be reluctant to share publicly. Entertainment Weekly put the film on its end-of-the-decade, "best-of" list, saying, "The Kazakhstani journalist gave us some of the most incisive cultural commentary ever filmed. That, and a wrestling match between butt-naked men. Something for everyone.
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Who Was the Funniest U.S. President? | GQ
Henry McMaster held a press conference with U. Senator Tim Scott R-S. Views expressed are those of our readers, not us. Need to get something off your chest? Leave a message with your rant or rave at ext. Submissions will be edited for length and spelling but not grammar. Please limit emailed submissions to words.
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By most accounts, he totally killed it. The WHCD as the cool kids call it is a sordid affair that throws together paunchy politicos, jaded journalists, and bored celebrities for an expensive night of one-liners and focus-group-approved zingers. This fun dinner, which finally welcomed women as guests in , is a weird American tradition that has produced Hall of Fame Comedy Moments like George W. Bush looking under the couch for the missing Weapons of Mass Destruction and Obama joking about killing the Jonas Brothers in a drone strike. Our soon-to-be-outgoing president generally draws rave reviews for his rare ability to tell a joke that sometimes makes people laugh.
Chris Shively, aka Chrissy Murderbot or more often these days just Chrissy, is a firm believer in the significance of the s rave scene as an agent of social change. In his eyes, the spirit of unity, equality and grassroots activism that went hand in hand with illegal parties in the early 90s provided a blueprint for how society could function in a cooperative, compassionate way. More than 20 years later, the tumultuous nature of so many global issues makes those ideals more pertinent than ever. I don't see why a political resistance movement focused on dancing and openness and community, across lines of race and class and gender and sexuality, should be any more unlikely now than it was in